The year-old animator has given us whole worlds of despair and resignation, often returning to death, decay, failure, and the inevitable end of humanity as the themes that power his wistfully beautiful films. The follow-up, World of Tomorrow Episode Twowas equally crushing and sublime. To celebrate his new-old book, and his influence on 21st-century animation, we interviewed Hertzfeldt in a series of emails, as is his preference. A lot of stuff got cut from the first edition. The book is despairing at times, sometimes hilariously so, if despair can ever be hilarious. But it comes from such a dark place. Was this a particularly difficult period in your life when you made it? No, probably the opposite. I think in general, it usually takes a lot of optimism for me to do anything creative.
Cass McCombs is what some would call a citizen of the world. Fuck this place. A lot of my lyrical flow comes from hip-hop artists. The way that E crams all this lyrical content into the smallest amount of space is incredible. I know pretty much half of the musicians in existence have a side job of some sort. Worked in horse stables, rode a truck. Worked at bookstores, record stores, movie theaters. I was a projectionist.
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Worked in delicatessens. Did demolitions. I painted the Trump Tower one time. Folded and licked invitation envelopes. When did you paint the Trump Tower? I just painted the interior. When was that?
To copy or not to copy, and how to do it without getting sued, has become an increasingly common question for songwriters in the studio, often interfering with the creative process. And perhaps more importantly, is it worth how much it could cost? Singer, songwriter for Rihanna, Eminem. I just wanted to know I wrote a song. I did it right before the song was released. Any time somebody tells me something sounds similar, I freak out. I ask 8, people. The second you try to play that game, you could win for a second, but most likely, you will get caught. And I just know in my bones it will relate to people all around the world. I just love the song so much.
They all give a similar account. He managed by giving the audience a little of what he knew they wanted followed by a little of what they might not know he wanted. He grew a following and then set about leading the flock out to higher ground. The mind is never done expanding. Mac made good on his end. It supposed that he could be both devastating and sweet at the same time, that the hardest kind of writing is the honest kind. Truth is the most lacerating bar.
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A decade is a long time. In— years ago, Ariana Grande was a Nickelodeon teen. Taylor Swift was a country star. Billie Eilish and Lil Nas X were children.
Now, we have them all at once, all the time, changing the ways we interact with music, and musicians, and each. Over time, audiences that had chosen piracy over the prospect of paying out of pocket for individual CDs and DVDs acquiesced to paying a reasonable monthly fee for relatively unrestricted access. Changes in the mechanics of how we listen to music dovetailed with changes in the moral fabric of the decade. Prestige awards had to restructure categories and voting pools to address matters of race.
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